FUR's material history first and foremost lies with the animals dependant on its wicking and warming qualities. Within settler Canada, fur is bound to colonial extraction, trade economies, and ecocide, where animal lives and lands were commodified to sustain expansion. Through careful use and recontextualization, I work with this socio-politically charged luxury material to visualize how it is entangled with environmental loss, climate crisis, and colonial inheritance, so as to invites memory, critical reflection, responsibility, and enriched material ethics that respect the interdependence between human and non-human environments.