Selected Exhibition History

Solo

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2021 Unmaking the Frame, Campus Gallery, Georgian College, Barrie, Ontario

2021 Unfurled: Unsettling the Archive from a More than Human Perspective, Orillia Art and Historical Museum, Orillia, Ontario

2019 Entanglements, Queen’s University: Pot-pourri Gallery, Kingston, Ontario

2018 Material Witness, Toronto Offsite Design Festival, GravityPope, Toronto, Ontario

2017 Land as Archive, YYZ Artist Outlet, Toronto, Ontario

2013 Processed, The Art Exchange, London, Ontario

2012 Process-ed, Claustro Gallery, Midland, Ontario

2011 Fabricated Landscapes, Double Doors, Anten Mills, Ontario (OAC Exhibition Assistance)

2011 Global Landscapes, Museum London, “, London, Ontario

2011 Rural Transitions, Art Exchange, London, Ontario
2004 An International Affair, The Art Exchange, London, Ontario
2001 Art Attack, Galleries @the Galleria, London, Ontario

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Two or Three Person

2019 The Reconfiguration of Similar Elements to Different Effects, Jill Price & Tonia Dirisio, Durham Art Gallery, Durham, Ontario

2018 Two Legacies, Jill Price & Tanya Cunnington, Maclaren Art Centre, Barrie, Ontario (OAC Exhibition Assistance)

2016 Re/Constructed Nature, Jill Price, David Salazar & Annette Mangard, Grad Gallery, OCADU, Toronto, Ont.

2015 Hills Above & Holes Below, J.Price & J.F. Powell, Westland Gallery, London, ON

2015 Embedded Notations, J. Price & M. Robertson, Double Doors, Anten Mills, ON

2013 Crafted Realities, Jill Price & Jesse Bromm, Gallery 111, Barrie, Ont.

2013 Tangled Reality: Jill Price and Magdolene Dykstra, Bartlett Gallery, Caledon, ON
2000 THE BOD SQUAD “More than a Handful”, Forest City Gallery, London, Ontario

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Juried, Group or Invitational Exhibition

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2019 Hard Twist, Gladstone Hotel, Toronto Ontario
2018 Re/Searching, Art & Media Lab, Isabel Bader Centre for the Performing Arts, Queen's University, Kingston, Ontario
2018 Grow Op, Material Witness, Gladstone Hotel, Toronto, Ontario
2017 Body of Work, Double Door Gallery, Anten Mills, Ontario
2016 Raw Material, Aurora Cultural Centre,  Aurora, Ontario
2014 The Hartman Project, Double Door Gallery, Anten Mills, Ontario
2014 Some Restrictions May Apply, Curator C. Duncan, Propeller Art Centre, TO, ON
2014 Faculty Show, Georgian College, Barrie, Ontario
2014 Annual Juried Show (Award Winner), Latcham Gallery, Stouffville, Ontario
2014 Watershed Group Exhibition, Double Door Gallery, Anten Mills, Ontario
2013 In the Dwelling House: Views of Domestic Farm Life, Gibson Centre, Alliston, ON
2013 8th Annual Desmond Juried Art Show, University of Guelph, Ridgetown, Ontario
2013 Annual Juried Show (Award Winner), Latcham Gallery, Stouffville, Ontario
2012 World Art Games Exhibition, Izmir, Turkey
2012 Un-bound (Paperdolls Collective), Double Door Gallery, Anten Mills, Ontario
2012 Conveyed, Mad and Noisy Gallery, Creemore, Ontario
2012, 2013 Toronto Outdoor Art Exhibition, Toronto, Ontario
2012 Water Effects-The Watershed Project, City Hall Rotunda, Barrie, Ontario
2012 The Artist Project 2012, Toronto, Ontario
2012 Waterline / Timeline, Orillia Museum of Art and History, Orillia, Ontario
2011 Lake Effects - The Watershed Project, City Hall Rotunda, Barrie, Ontario
2011, 2012, 2013 Queen Street West Art Crawl, Toronto, Ontario
2011 Time Frame, Alton Mills Gallery, Caledon, Ontario
2011 Eco, Gallery 1313, Toronto, Ontario
2006 In Good Company, McIntosh Gallery, London, Ontario
2006 Open Air III: Art and Architecture, London, Ontario
2005 You Are Here, Museum London -1 Dundas Street, London, Ontario
2005 Future Collectives, McIntosh Gallery, London, Ontario
2001 Not Legal, Forest City Gallery, London, Ontario
2001 Nasty Thoughts, Definitely Superior, Thunderbay, Ontario
2001 Zine, Edmonton Art Gallery, Edmonton, Ontario

Artist Talks & Academic Presentations

 

2020 When Research in a Research-Creation PhD Discourages Further Research or Creation in Academic Spheres and the Public Realm, Research-Creation Roundtable | A Current and Critical Evaluation of Ethics in Creative Methods and Scholarship, co-chaired by Lois Klassen and Stéfy McKnight, UACC

 

2020 Adaptation as Ideation: An Invitation to Unmake the Lawn of Fort Henry, Undisciplined Conf., Kingston, On.

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2020 Undoing as Activism: A Movement Towards Slow Art, Bigh Righ Centre, Queen's University, Kingston, Ontario

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2019 Undoing as Activism, Accelerated Art / Accelerated Culture, UACC, Quebec City
 

2019 Unmaking One’s Way Out of the Anthropocene, Performance & Paper, Undisciplined Graduate Conference, Agnes Etherington Art Centre, Queen’s University, Kingston, Ontario, Friday, April 5

2019 Material Shadows, Artist Presentation & Poster, Jacalyn Duffin Health & Humanities Conference, Feb 8

2019 Re-Craftivism:  Unmaking One’s Way Out of the Anthropocene, Cultural Studies Grad Chat, Queen’s University, Kingston, Ontario, February 5

2018 / 2019, An Argument for Practice-led Research, Guest Lecturer, Colloquium Practicum, OCAD University, Toronto, Ontario

2018 Wound Up, Exhibition Discussion Panel Member with Lindsey Wilson, Johanna Amos, Union Gallery, Kingston, Ontario, Oct. 17

January 11, 2019, Two Legacies Artist Talk, Maclaren Art Centre, Barrie

October 4, 2017, Material Witness: An Argument for Practice Led Research, Midland, Ontario

January 2013 The History and Process behind Process-ed, The Art Exchange, London, Ontario

June 2012, The History and Process behind Process-ed, Claustro Gallery, Midland, Ontario

March 2011, The Importance of Materiality, The Barrie Art Club, Barrie, Ontario

March 2007 Feature Artist Forum: Museum London, London, Ontario

2006, Artist Talk Tuesdays, McIntosh Gallery, “In Good Company”, London, Ontario

February 2006 Visiting Artist Talk: Lambeth Art Association, Lambeth, Ontario

June 2000 “Lust for Life: Collecting Art” Galleries @ the Galleria, London, Ontario

Sept. 2000 “Nude vs. Naked” Working figuratively while subverting the pornographic. Galleries @ the Galleria, London, Ontario