THE UN/MADE

Currently confronting my settler past, present and future by considering what it means to consume, create and curate during a time of deep ecological and social crisis, I am investigating how unmaking can be an interdisciplinary methodology that offers ways to reconcile one’s past while making reparations and room for new futurities.  Surprising generative, unmaking in the studio involves endless exploration of processes such as erasure, cutting away, tearing, painting over, abstracting, disrupting and reconfiguration.