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Jill Price, Wht-trSH (shadows), Art Gallery of Mississauga.jpg

History of the REFUSARIUM

Personally, the Refusarium is a project that has evolved as an iteration of a short lived project I developed during my MFA at OCAD University entitled the UMBRARIUM in which I located, collected, documented and studied shadows of fast fashion. Also an extension of my project Wht-trSH in which I collect garbage off of beaches both at home and abroad, the word Refusarium is a modern neologism (a newly coined word) using classical linguistic building blocks to create a formal institutional title for a repository of waste.

 

[refuse]                         +                       [-arium]

(Anglo-French: discarded matter)          (Latin suffix: a place for keeping)

\                                 /

\_______________________________/

|

[REFUSARIUM]

"A dedicated place for keeping that

which has been cast aside"

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Jill Price cleaning Centennial Beach.jpg

Etymology

The Root of the word comes from the noun refuse /ˈrɛfjuːs /, meaning matter thrown away or rejected as worthless. Conceptually, in the context of the archive, refuse acts as a double entendre, denoting the physical garbage collected and also how synthetic materials refuse to decay or disappear into the Earth or how consumers might opt out of purchasing such items.  

 

  • Old French (refus): Noun derived from v. refuser, meaning "to reject, turn away, or discard."

  • Vulgar Latin (refusare): A frequentative verb built from the classical Latin refundere.

  • Classical Latin (refundere): Composed of re- (meaning "back" or "again") and fundere (meaning "to pour or cast"). Literally translated, it means "to pour back," "to restore," or "to cast back."

 

The Suffix (-arium) is a highly structured, classical Latin suffix used to denote a specific physical space. By attaching -arium to the word refuse immediately shifts the material from worthless, scattered "litter" into a highly organized, protected, and academic collection worthy of institutional study. Historical precedents include Herbarium: A systematic collection of dried plant specimens, Aquarium: A place or vessel for keeping aquatic animals and plants and Ossuarium: A chest or room used for human remains.

 

  • Latin (-ārium): A neuter suffix used to form nouns meaning "a place for," "a container for," or "a collection of" things.

 

Therefore, a refusarium (noun, pseudo-Latin) is a dedicated place, vessel, or institution built for the containment, classification, and permanent preservation of that which has been cast back by society. More specifically, The Refusarium is a specialized archive dedicated to the collection, preservation, and taxonomic mapping of Anthropocene techno-fossils generated from long-lasting synthetic waste that refuses to biodegrade. Operating at the intersection of art, environmental science and geology the repository treats modern shoreline detritus not merely as pollution, but as persistent physical evidence of human production, consumption, use and discard. Rather than allowing these materials to harm sandy ecosystems adjacent to vital bodies of water, the Refusarium presents, stores and records white garbage collected during community beach cleans to prevent and expose the slow violence of plastic contamination.

MANIFESTO: A Curatorial Statement on the Preservation of Permanent Debris

 

Welcome to the ledger of Earth's future geology. This archive collects to face what refuses to die.

 

I. THE DOGMA OF DISPOSABILITY
We live in the age of synthetic fossils. Under the violent speed of industrial capitalism, society operates under a profound delusion that trash can be discarded into a void called "away." But as Dr. Jane Bennett reminds us, there is no away. As such, garbage is actually the most enduring monument of human architecture.

 

II. THE ARCHIVE AS UN/MAKING
Born from the exhausting and necessary labour of walking wounded shorelines of lakes and oceans, the Refusarium rejects the artist as producer of commodities and embraces a methodology of UN/making that seeks to help usher in gestures of care and repair for bodies of Land and Water.  In turn, this archive is a result of scouring shoreline ecosystems to track pathways of consumer desire.

 

III. COMMANDEERING THE WHITE CUBE
The choice of white debris is a deliberate act. For centuries, the sterile "white cube" of the art gallery has separated objects from the messy reality of the world to celebrate their aesthetic beauty. By cleaning, categorizing, and displaying white consumer waste in the authoritative museological framework, the Refusarium utilizes this aesthetic to expose these monochromatic relics as agents of environmental degradation.

 

IV. THE GEOLOGY OF DEEP TIME
Items included in the Refusarium are not considered as temporary pollution. Categorized as techno-fossils and plastiglomerates, this new sedimentary strata consisting of polymers, synthetic textiles, and vitreous shards will remain embedded in Earth's crust as humans’ permanent signatures long after cities have crumbled and digital records have vanished into static.

 

V. MANDATE
The Refusarium does not seek to beautify, nor offer comfortable solutions. Our mandate is radical preservation:

  • To rescue enduring synthetic debris from the false invisibility of nature.

  • To institutionalize the discarded, elevating trash to the status of historical artifact.

  • To confront the viewer with the physical immortality of a convenience culture.

Jill Price, Return to Sender Mail Art Project.jpg

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